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Corner Kick
OFFSIDE
Directed by Jafar Panahi
Screenplay by Shadmehr Rastin, Jafar Panahi
Starring Sima Mobarak Shahi, Safar Samandar, Shayesteh Irani, M. Kheyrabadi,
Ida Sadeghi, Golnaz Farmani
Reviewed by Matthew C. Brown
September 10 2006
I was surprised by Offside. I don't know what I was expecting
- something cutesy, something fem-pop empowring like Bend It Like
Beckham - but certainly not this. Offsideis a simple,
successful on-the-ground cinema verite drama about a handful of girls
who want to witness Iran's qualifying soccer game for the 2006 World
Cup. Because women aren't permitted in the stadium, they have to disguise
themselves in order to attempt entry. And because this film was apparently
filmed live during the actual game and in real time with what must have
been a largely improvised script, the documentarian flavour makes good
use of the dramatic potential of the scenes. I am impressed.
The first major sequence of the film follows one of these girls as
she tries to breach the boundaries of the stadium. As I said, I expect
that all of this was filmed live during the actual game, because the
scope of this film otherwise would be in George Lucas territory. As
part of a throng of male spectators that stretches to the horizon, the
girl inches closer and closer to the checkpoints in the vast plaza outside
the stadium. There is a tremendous use of lateral space here, and long-lens
camera blocking to push the girl closer and closer to her goal. There's
palpable tension, and true conflict, and for the first time it dawns
us that we're not going to be seeing anything trite here. Offside
will be a nicely-staged "life happens" character drama.
None of the female actors ever actually get into the stadium, but are
instead contained in a holding pen outside the wall awaiting eventual
deportation to the Vice Squad headquarters. There's a nice lengthy segment
in the middle where a guard must escort one of the girls into the mens'
room, which uses a gag involving a mask to make it possible to take
what I presume was a stand-in into the actual stadium itself. It's a
great scene from start to finish.
Offside doesn't so much conclude as just stop, once the victory
celebration has broken out in force and provided the girls an opportunity
to escape their captors. Still, I like what has been done here. Shot
on gritty digital video and well-paced for performance and character
beats, Offside is successful on its on terms and offers brief
but unexploitative commentary on the rules Iranian society places upon
the interactions between men and women. Worth seeing.

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