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HOLY SHIT I GOT TO BE ON SEE YOU NEXT WEDNESDAY! And to talk about Logan and comic books and a bunch of other stuff!
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Destroy All Monsters: Look to the Movie Stars
It wasn’t a particularly political Oscars after all. Hollywood mostly went about the business of giving and receiving Oscars, and the most political moments in the show – the first Muslim-American actor winning; the proxy Best Foreign Language speech thanks…
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The Box And How To Use It
Historically, I do not do well in winters. Perhaps you don’t either. A couple of years ago I started taking my mood disorder seriously, and this past summer was when I figured I ought to start taking winter, specifically, seriously…
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Destroy All Monsters: Is JOHN WICK Neo’s Video Game Afterlife?
John Wick certainly feels like a video game. Its “gun-fu” action sequences owe a lot to The Matrix‘s blend of Hong Kong cinema styles (gangsters in suits with guns + Yuen Wo-Ping wire work = The Matrix), but the sheer…
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Now on Blu-ray: Kirsten Johnson’s CAMERAPERSON Is One Of Criterion’s Strongest Discs
One of 2016’s best films, director Kirsten Johnson’s documentary CAMERAPERSON joins the Criterion Collection in a beautiful, timely release.
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Destroy All Monsters: General Leia Is STAR WARS’ No-Win Scenario
Two weeks ago, Disney took the unprecedented step of announcing that, in spite of their recent resurrection of Peter Cushing for CGI Frankentarkin in Rogue One and in the wake of the tragic passing of Carrie Fisher, that they would…
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Destroy All Monsters: Oscars Stay White As Long As Movies Like LA LA LAND Exist
Watching La La Land, for me, was accompanied by a sinking feeling, a pronounced “of course”-ness, a sensation halfway between grudging admiration and simple exhaustion at the obviousness of it all.
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Destroy All Monsters: The Meme-ification of ROGUE ONE
I’m consistently fascinated by how pop cultural mega-properties take hold in the discourse of the group they are ostensibly created for, the fans. There’s an interesting cycle created here.
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Blu-ray Review: Criterion Enshrines Ousmane Sembène’s BLACK GIRL
After years of having it on my watchlist, I caught up with Senegalese director Ousmane Sembène’s Moolaadé last year and enjoyed it a great deal, leaving me hungry for more. The Criterion Collection has conveniently sailed in to quench the…
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Destroy All Monsters: JEM AND THE HOLOGRAMS, A Weird Experiment With Fan Engagement
It’s 2017 and the world’s going to shit so naturally here I am prattling about JEM AND THE HOLOGRAMS.
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